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Media Asia 寰亞

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寰亞綜藝集團有限公司總部設於香港,是亞洲最大及最成功的華語電影製作公司之一。
自一九九四年成立以來,寰亞電影已製作或融資製作超過60部華語電影,包括賣座電影【單身男女】(2011) 、【劍雨】(2011) 、【精武風雲.陳真】(2010) 、【唐山大地震】(2010) 、【南京!南京!】(2009) 、【非誠勿擾】(2008)、【集結號】(2007)、【投名狀】(2007)、【傷城】(2006)、【夜宴】(2006)、【伊莎貝拉】(2006)、【天生一對】(2006)、【頭文字D】(2005)、【童夢奇緣】(2005)、【天下無賊】(2004)、【魔幻廚房】(2004)、【無間道】三部曲(2002-2003)。其作品在柏林國際電影節、康城電影節、威尼斯雙年展、東京國際電影節、臺北金馬影展及香港電影金像獎等國際電影頒獎典禮及電影節中更先後嬴得合共超過150個獎項,並獲得超過350次提名。
除電影製作外,寰亞代理發行的電影片庫有逾150部華語電影,包括多部經典電影作品如王家衛的〈阿飛正傳​〉及〈旺角卡門〉,周星馳的〈西遊記I / II〉,杜棋峰的〈東方三俠〉及〈現代豪俠傳〉等。現時,寰亞電影與中國電影集團(中國)成立合營公司在中國從事發行業務,並與多間公司訂立一系列播映權預購協議。
寰亞綜藝集團有限公司的目標是製作高質素兼具商機的華語電影,加上電影庫的豐富藏量,集團致力保持亞洲製作及華語電影發行上的領導地位。

With its headquarters based in Hong Kong, Media Asia is one of Asia’s largest and most successful Chinese-language film studios.
Since its establishment in 1994, Media Asia has produced or co-financed over 60 Chinese-language films, including critically acclaimed blockbusters like The Warlords (2007), The Assembly (2007), Confession of Pain (2006), The Banquet (2006), Exiled (2006), Initial D (2005), Wait ‘Til You’re Older (2005), and the Infernal Affairs trilogy (2002-2003), the latter spawning the Hollywood remake The Departed which won 4 major awards at the Academy Awards in 2007, including Best Picture and Best Adapted Screenplay. Media Asia’s films have won over 140 awards out of some 350 nominations from major international film festivals (e.g. Cannes, Berlin, Venice, Tokyo, and Pusan) and award ceremonies (e.g. Golden Horse Awards and Hong Kong Film Awards).
In addition to its own productions, Media Asia also handles a library of over 150 feature films. It has entered into output agreements with leading television stations in Asia, including Star TV (Hong Kong / Taiwan), CCTV 6 (China) and Celestial movies (Singapore / Malaysia / Indonesia / Brunei). It has also formed a joint-venture with China Film Group (China) for film distribution in China.
Media Asia aims to produce quality Chinese-language films with commercial viability. Together with its film library portfolio, the Group aims to bolster its position in the product and distribution of Chinese-language films in Asia and around the globe.