Interview is in a category all of its own. Originating as Andy Warhol’s ultimate Pop Art gesture –the vehicle through which Andy might provide everyone with those legendary fifteen minutes of fame- Interview has managed to negotiate the tricky responsibility for any magazine originating as an art work. And it has largely prospered and triumphed in its salubrious history since its first appearance in 1969. Understandably tightly controlled by Warhol and his acolytes until nearly the end of the famed artist’s life, Interview has been kept on track by the same publishing house that acquired the title in 1987 shortly after Warhol’s death.
Living up to the singular spirit, flair and visual power of a magazine once produced by an artist famed for his stark, direct portraiture and his equally creative gang of collaborators can never be an easy task. Yet, somehow, even without Warhol, Interview has managed to encapsulate that very specific heady mix of celebrity, art, fashion, film and, needless to say, interviews. Interview continues to read like a who’s who of the hip and cool, a very particular publication built on the long experience of time spent at the coal face of chic.
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